Histories painter | Writer | Curator

Time, Art & Politics, Accelerationism, Aliens, Tricksters, Dystopian Data, Propaganda, Military Technology, Cyborgs, Cautionary Tales for AI...
Truth Lies Within zine to read online or download here >>>>>>>

Edited by: Omar Karmi
Designed by: Penny Metal

Image: Heartbreaker 2017
Painting in oil on laser cut powder coated steel
125 x 85 x 10 cm

© Gareth Johnson

Saatchi Art

Laura Moreton-Griffiths on Axisweb


Image: Tally Rand 1 of Many. Proposals for an immersive history painting
Pencil on paper 2018
65 x 50 cm

08.09-24.11.18 Craft+Conflict Highlights Contemporary Craft Tour. Cumbria and Northumberland

03.09-21.12.18 Constructors Gallery hoardings Blackfriars Bridge southern side

Like the myth of Pandora, Laura Moreton-Griffiths’ work might be seen as a kind of theodicy, addressing the question of why there is evil in the world... [her practice embodies] a keen sense of what is right and wrong in this world and a desire to unpick and understand the seemingly incomprehensible... Anna McNay, Art writer and Assistant Editor, Art Quarterly (Art Fund) essay >>>>>>>

Laura Moreton-Griffiths threads together moments from diverse narratives of violence, loneliness, bravery, and ostracism. Matriarchs, Monsters and Feral Children with introduction by Tom Jeffreys >>>>>>>

Moreton-Griffiths' work captivated our audiences and illuminated the space. Curator Michael Smythe talking about Heartbreaker installed at Phytology, an artist led project at the Bethnal Green Nature Reserve >>>>>>>

ArtVerve Magazine Issue 6

In conversation with Marvin Gaye Chetwydn. LMG: A question that runs through your work is whether or not we have a quality of morale suitable to the digital, multisensory time in which we live - and can we update or create a new morality. Can you tell me more about this heady mix of optimism and anarchy?Artverve Issue 6 >>>>>>>>

Selected writing >>>>>>>>

© Laura Moreton-Griffiths